Looking Back, Looking Forward: A Follow-Up to “Patterns Emerge”

Maps, patterns, and finding my way

Mixed media drawing framed like a symbolic icon, featuring a stylized central form resembling a letter B or figure, directional arrows, geometric symbols, ribbon-like lines, and soft blue shading — suggesting identity, energy, and becoming.
Metaphysical Being — mixed media on paper, 2026.

Maps, patterns, and finding my way

Metaphysical Being — mixed media on paper, 2026.

Lately I’ve been thinking about how I got here.

I was born in 1953.

In 1969, I remember hearing about Stonewall late one night on KDWB radio. They were interviewing Jack Baker.

I was sixteen years old.

For the first time, I realized there were others. I wasn’t alone.

Looking back now, I realize that moment wasn’t just about being gay. It was the beginning of a lifelong search for direction—for understanding how people find their place in the world and how we make sense of lives that don’t always fit the expected path.

I’ve spent much of my life looking for paths.

Sometimes those paths appeared as maps. Sometimes as diagrams. Sometimes as outlines, websites, or decision trees. Often they appeared simply as ways of organizing what I could see—and finding relationships among things that did not, at first, seem connected.

As a teacher, I spent years making outlines, building websites, drawing wireframes, and thinking in mind maps. I taught Gestalt theory—the idea that our minds naturally seek relationships and organize visual information into meaningful wholes.

Being dyslexic, I think I was already doing that long before I knew there was a name for it.

I’ve often described myself as someone who sees patterns. And I still believe that’s true.

But during one of my daily walks, another thought quietly surfaced.

Maybe what has fascinated me all these years hasn’t been patterns themselves.

Maybe it’s been finding my way.

Patterns are useful because they reveal possible paths. Maps matter because they help us navigate. Even a labyrinth has a pattern—but its purpose isn’t the pattern itself. Its purpose is to help us travel and find ourselves.

That realization feels surprisingly important.

When I look back over my life—from hearing Jack Baker on the radio… to teaching students how we make sense of the world… to designing websites… to creating art… to exploring identity, community, and spirit—I don’t see disconnected experiences anymore.

I see one long journey.

The maps changed.

The questions changed.

The medium changed.

But the journey remained remarkably consistent.

Lately I’ve started calling some of my drawings Decision Trees.

At first I thought they were simply abstract compositions.

Now I wonder if they’re visual journals.

They resemble the maps, outlines, webs, and structures I have used throughout my life—not because I planned them that way, but because they’ve always been part of how I think.

As an artist, I don’t begin with answers.

I begin with curiosity.


Here’s a bit of what KDWB sounded like around that time:
KDWB—Channel 63, January 3, 1970.

Related post: This reflection continues the ideas I began exploring in Looking Back, Looking Forward, where I considered how patterns can help us find our way.

Gratitude on the Last Day of Pride

Bill Hendricks sitting on rocks overlooking the Pacific Ocean in San Francisco, 1976, wearing puka shell necklaces and smiling into the camera. The photograph accompanies a reflection on gratitude, authenticity, and Pride.
San Francisco, 1976. Looking back at a younger version of myself—and feeling grateful for all the people who helped me become the person I am today.

Nobody, but nobody can make it out here alone.

—Maya Angelou, Alone

On this last day of Pride, I’ve been thinking about gratitude.

Looking back at this photograph from San Francisco in 1976, it’s pretty obvious I wasn’t trying to blend in.

Over the years, so many people looked beyond appearances and gave me the chance to learn, to serve, to teach, to create, and simply to become myself.

I’m grateful to my parents, my sister, and especially the Reid family, who became part of my chosen family. I’m grateful to my commanding officers in the Air Force, my professors, employers, colleagues, students, volunteers, and friends. I’m grateful to Minneapolis College, MCAD, Minneapolis Friends Meeting, and to Michael, who has walked beside me through it all.

None of us gets where we are alone. My life has been shaped by people who chose encouragement over fear, curiosity over judgment, and kindness over assumption.

As Pride Month comes to a close, thank you. You helped make my life possible.


Related post: This reflection continues many of the themes I explored in my recent post, Reflections on Collective Z.

A Living Room Church

A Living Room Church

A personal memory about beginnings, community, and what history sometimes forgets.

Whimsical ink and watercolor drawing with a cross, house-like forms, curling vines, small figures, and a soft blue-violet wash suggesting shelter, spirit, and community.
**Dr. Seuss’s Heaven** — A tribute to Dr. Seuss, mixed media on paper, 2005 (approx. 6 × 9 in.) — A small drawing about the rhythm of life

 

There are stories that get polished over time, and stories that quietly disappear.

I’ve carried one of those quieter stories for years.

Long before MCC became what it is in Minnesota, there was a small gathering of us — a core group of gay men and friends trying to build spiritual community when such spaces were rare.

The original services were held in our living room on the 3400 block of Pillsbury Avenue South in Minneapolis.

Word spread by mouth. People came. We worshiped weekly. There were picnics, gatherings, friendship, and a real sense that something important was being born. The worship had a Catholic tone. It was heartfelt, searching, and deeply communal.

There were many involved — names I remember, and names I’ve lost — but I remember the spirit clearly.

Then life moved on. Michael and I joined the Air Force, and I was stationed in California. MCC continued to grow. It moved beyond our living room, then into other spaces, eventually finding a home at the Minneapolis Friends Meeting House.

That was also how I first encountered Quakerism — another thread that would shape my life.

I’ll admit: over the years I sometimes felt forgotten, as though those early beginnings had faded from memory. But memory is a tricky thing. Institutions grow, stories simplify, and humble beginnings can disappear into history.

What remains for me is gratitude that I got to witness — and in some small way help hold — the beginning of something that mattered.

And I was deeply happy to see it grow.

Minneapolis Walkways Need to be Safe

Minneapolis Sidewalk Accessibility Matters

Hi, I am sharing this article I wrote about the condition of our Minneapolis walkways. I hope this helps spark conversations that continue and lead to real solutions for this citywide problem.

https://www.startribune.com/municipal-sidewalk-shoveling-debate-mpls-accessibility/601548203

I am grateful that the Star Tribune published my commentary. As I grow older, this is becoming a greater concern. After 15 years in NYC, I am a walker. You see so much and learn a lot.

If you can’t access the article, you can find the text in my Google Docs: Winter Walkways — And Pedestrian’s Access.

Walking Reflection — November 4

A digital collage blending red, gold, and pink autumn leaves with soft branches and floral forms. The composition feels like a playful romp with color, echoing the joy and energy of fall.
Autumn Layers — digital collage inspired by the color and rhythm of autumn.

Autumn Colors

This fall, on my walks, I’ve been amazed by the color — soaking it in, just appreciating the ability to gaze upon such beauty.

As beautiful as the colors of spring and summer are — spring with its bright yellow-greens and lupines in pinks and violets, and summer with its deeper greens and the bright yellows of marigolds or the reds of geraniums and pinks of coneflowers — not to mention the purples and blues of delphiniums — I love them too.

But autumn colors speak to me differently. There’s an excitement, a passion in them that touches my soul.

I often collect leaves and set them in my studio to inspire me — to try and equal the wonderful harmony of fall colors. This year, I decided to play as the Creator once did, and create an image — a playful collage of color, built from photographs taken along the way.

Bill Hendricks


Started with a Walk and a Photograph

Related: Minnesota DNR Fall Color Finder — a live map of color across the state and information about the 2025 season.