Reflections on Collective Z

Reflections on Collective Z

Bill Hendricks, Kaitlin Reid, and Michael Reid pose in front of Marsha P. during The Ordinary exhibition at Collective Z Gallery in Manhattan, June 4, 2026.
Bill Hendricks, Kaitlin Reid, and Michael Reid at The Ordinary, standing in front of Marsha P. at Collective Z Gallery in Manhattan, June 4, 2026.

My drawing, Marsha P., was recently included in The Ordinary, a Pride Month group exhibition at Collective Z Gallery in Manhattan.

I went to New York not knowing quite what to expect. It had been a long time since I had shown work in a setting like this, and I arrived with all the usual questions: How would the work look? How would people respond? Would I feel comfortable there?

What surprised me most was how interested I became in the other artists’ work. I arrived focused on my own piece, but quickly found myself drawn into the larger exhibition. The quality of the work impressed me, and I was proud to see Marsha P. holding its own among it.

There was another surprise.
Friends appeared. Some I had not seen in years. Others reached out online. Their support meant more to me than I expected.

Standing in the gallery, surrounded by artists, friends, and people engaging with the work, I felt something I hadn’t anticipated: a sense of belonging.

When I look back on the experience, I will remember the artwork, the conversations, and the people who showed up. But I will also remember realizing that, after many years, I still have something to contribute as an artist.

For that, I am grateful.


The Ordinary remains on view through the end of the month at Collective Z Gallery in Manhattan. Marsha P. is also available for purchase.

I am especially grateful to Alex Wang and Collective Z Gallery for creating the exhibition, bringing together such a diverse group of LGBTQ+ artists, and making space for these conversations.

Author: Bill Hendricks -- Shadowmason

I’m a Minneapolis-based artist working in watercolor, gouache, oil, drawing, and mixed media. After teaching art and design for many years, I returned to making art fully. These days, I spend my time drawing, painting, experimenting, and paying attention to what shows up. I often work small. My work moves between observation, memory, and imagination. Some pieces lean surreal. Some stay close to what is seen. What interests me is what begins to emerge when I stay with the work long enough. On my blog, you’ll find both my artwork and my reflections. I’ve come to see they are connected. What I learn in the studio often changes how I see my life, my relationships, and my community. In that way, art has become more than making objects — it has become a way of understanding and being in the world.

Hope you leave your thoughts.

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