Tag: ink drawing

Marsha P.: When the Past Becomes Present

I find myself reminiscing about the past more often these days.

I think about Christopher Street and the wonderful life that was lived there. I think about the friends I made, and the friends who became family, during one of the most intense periods in LGBTQ+ history—the AIDS epidemic.

So many of those friends are gone now.

But I still think about them. I remember them. And I think about the wonderful life I have had, and the life I am still having, and how much fun it would have been to share some of this life with them.

Maybe that has something to do with how Marsha P. came into being.

Original black line drawing that later became Marsha P., composed of abstract circles, flowers, arrows, eyes, and a broad smile.
The original abstract drawing—the first stage of what became Marsha P.
Early stage of Marsha P. with pale pink-and-blue washes beneath the original abstract line drawing.
An early stage, as I explored tinting beneath the drawing and bringing areas back.
Marsha P. in progress, taped to a drawing board as deeper blues, reds, yellows, and facial details begin to emerge.
A middle stage of the drawing, as the eyes, smile, and surrounding colors became more defined.
Finished mixed-media drawing Marsha P., featuring an exuberant face surrounded by flowers, circular forms, and richly layered colors.
Marsha P. — finished mixed-media drawing by Bill Hendricks, 2025.

The drawing did not begin as Marsha P. Johnson.

I know that.

It began as a very abstract sort of image. I was working with shapes and lines without any intention of making a portrait.

Then I began to see something.

First I saw the smile.

At this point, I was exploring how to tint underneath the drawing—putting color down and then bringing areas back.

As I worked, I began to see the eyes.

And all along there was a certain joy in the drawing that kept coming through.

I continued drawing, painting, changing things, covering things, uncovering things. The more I worked, the more something from my own history seemed to be coming forward.

My past became present.

Marsha was part of the world I remember.

I don’t mean that Marsha and I were close friends. We weren’t.

She was someone who passed through my life.

But she was a character on Christopher Street, just as I was a character on Christopher Street—working in a gallery among lots of other characters I loved dearly.

There was something about seeing her emerge from this drawing that gave me a way of becoming involved with that world again.

Not simply remembering it.

Participating in it.

For a little while, the distance between then and now became smaller.

The finished work became Marsha P.

For me, it carries more than the image of one person. It carries something of Christopher Street, of friendship, of loss, of survival, and of the extraordinary joy that existed alongside some very difficult years.

Maybe that is why the joy in the drawing matters so much to me.

The work later traveled to New York, where it was exhibited during Pride Month. The original Marsha P. is now available through Collective Z Gallery on Artsy.

But when I look at it, that isn’t what I think about first.

I think about the people.

I think about the life we lived.

Sometimes, while making a drawing, the past finds its way back into the room.

Currently at Collective Z

Collective Z is currently presenting Second Nature, bringing together painters Gwen Yip and Spencer Patrick. Their work considers the spaces New Yorkers move through—from the public world of subway platforms to the private interiors where people retreat.

Second Nature is on view through August 29, 2026, at Collective Z, 325 Broome Street, New York.

Learn more about the exhibition.

It is great to have F(f)riends…

“It’s a poor sort of memory that only works backwards,’ says the White Queen to Alice.”  ~  Lewis Carroll, Alice’s Adventures in Wonderland / Through the Looking-Glass

A friend, who is a Friend at the Minneapolis Friends Meeting, called me today and shared Carroll’s quote with me. What struck me about this quote is that it addresses an experience and the concept of time. I have read in several places that, according to quantum physics, time is not a linear analog; instead, it is one moment stacked on top of another, and we experience time all at once. Therefore, our planning and setting of goals is a form of remembering a time in the future. I know, deep, huh? I am not a physicist, but these concepts inspire my work as an artist.

Door05192024, Mixed Media, Pen and Digital,
Door05192024, Mixed Media, Pen and Digital, Hendricks 2024

Been Playin’ Around…

With the idea Playin’ Around and wanted to post something. I wanted a quote. This is what I found… 

I was just playing around with my imagination …
   and then everything got intense.  (New Adventure-?). Pinterest Link -> Link

I’ve been Playing around with media to complement the pens. 

Here are two doodles. It’s been fun to escape from Blender for a while. I think I posted an image before saying it, “Started with a Walk.” I guess these did, too. Started with a Walk and a Photograph

New media testing on a few drawings, or I guess we can test out on my doodles.
Playing Around—Testing New Meda

What’s Bill Hendricks Been Doing?

My Sketchbooks, Hard Drives, and Blog are my Diaries.

“Painting is just another way of keeping a diary”
~ Pablo Picasso

Six weeks is a long time away from my blog, and hope other artists will want to post on ArtChangeslives(Dot)Com to share their art and experiences of how art has changed their lives.

I put together a collage of images of my work. After working with Blender for a couple of years, uploading some of my Blender 3D objects into Second Life, and earning a couple of grants, I see a path of combining some of my tactile work with my 3D work to produce sort of a hybrid work works for the Metaverse and conventional viewing. Mainly, it involves the viewer,  akin to working in a more traditional gallery or exhibition hall. 

In grad school (MCAD), I produced several installations, and I was attracted to the participatory nature and how visitors could interact with them. Kara Walker and other artists engaged the visitor by incorporating the viewers’ shadow into the work, creating a relationship to the work that mere viewing does not necessarily achieve.

So, in the past few weeks, I have not created work that has been completed, which I normally post. I was also concerned about posting work that was not completed. I found that it kind of destroys the Ta-da moment. Hmm… I wonder how important that might be.

I am on my way to completing a project in Blender/Second Life. It is a simply built house that will be used in Second Life as a skybox. A skybox is a floating home on a parcel of digital space. The house is pictured in the image below, and you can see the documentation and the progression of the build here: Learning Blender Better. In short, I chose to produce a simple building to learn and become more proficient. 

I am finding that blogging is important to me ArtChangesLives(Dot)Com is over and is approaching its 20th year. I struggle with openly revealing myself here, but as I said earlier, my sketchbooks, hard drives, and blog are my diaries. It seems Picasso had his own diaries-one being his paintings. 

The image contains a smattering of artistic investigations. It shows a collection of recent work, including ink drawings and digital images created in Affinity Photo and Designer, watercolor, and Blender.
An Exploration of Artistic Techniques and Combinations of Media.

Art isn’t complete until it’s shared—Wondering what you think?

Stern Expression, as the gazer peers through various dimensions.
Stern Expression — Ink on paper — 7″ x 5″ approximately

Art isn’t complete until it’s shared.
                          ~  Seph Lawless 

As some who follow ArtChangesLives(Dot)Com know, I retired almost three years ago. I knew I would begin building a body of work. So, I began drawing before retirement. At the Friends General Conference (FGC) workshop titled Photography as a Contemplative Practice, Peter West Nutting jumpstarted my process. That workshop was followed by a Zentangling Workshop with Sadelle Wiltshire the next summer at the FGC Gathering. Both workshops provided a sufficient role in giving direction to my work.

After retirement, besides exploring my artistic leadings, I supported my meeting, the Minneapolis Monthly Meeting and Northern Yearly Meeting (NYM) (Quakers), designing and producing the yearly meeting’s monthly e-news and a quarterly publication, NYM Journal, with two skilled editors Doug Kirk and Tom Darrow. The journal features poets, articles, and artwork produced and shared with members of the yearly meeting.

I am excited to share some of my work in the journal’s current issue. I hope you enjoy it; along the way, you might enjoy several articles and poems.

Northern Yearly Meeting Journal/Winter 2024