Fool on the Hill

Abstract pen and ink drawing on paper with symbolic organic forms
Fool on the Hill — ink on Paper, 4 x 5in

— inspired by The Fool on the Hill, The Beatles

🌿 May 22, 2026 — Fool on the Hill

Today “The Fool on the Hill” popped into my head. When I was a kid, I identified with that song, and honestly, I still do.

What hit me today is that the song really isn’t from the fool’s perspective. It’s from the people watching him. Everybody deciding who he is from the outside.

And maybe that’s why it stayed with me.

Sometimes it’s not just feeling like the fool. It’s feeling seen as the fool.

A little outside things. Watching. Thinking. Maybe noticing things differently than other people do.

The song always felt lonely to me, but not completely sad. More like somebody trying to make peace with being different from the flow around them.


Still Working. Still Becoming.

Mapping Existence (2006), pen on paper, 12' × 12'. A large pen drawing tracing my shadow through an eight-hour day.
Mapping Existence (2005)
Pen on paper, 12′ × 12′
Tracing my shadow.

A drawing from 2005, one of a series called Mapping Existence

I’ve spent a lifetime around art — teaching it, designing it, selling it, and making it.

Funny thing: becoming a full-time artist later in life may be the hardest chapter yet.

Still working.

Still becoming.

Query

What keeps you doing what you’re doing?

 


Another map made years later, still wrestling with some of the same questions.

 

Presence Without Witness

Abstract watercolor of a fragmented head with window-like compartments and circular mechanical forms, suggesting shadowed urban architecture.
Tenement-02172026-watercolor

Lately I’ve been thinking about what remains of us.

Not reputation.
Not a big story.
Not even the full face.

Just trace.

A shadow on concrete isn’t the person, but it proves something stood in the light.

I keep circling the idea that existence doesn’t require constant visibility. When awareness drops away — sleep, silence, the spaces between — there isn’t spectacle. There isn’t narrative. And yet something remains.

Maybe that’s what a shadow is.

Not the full reality.
Not the whole person.
Just proof that contact happened. That light met form.

Not monument.

Existence.

A human being is only breath and shadow.                                                           ~ Sophocles

Curious— how the story begins after the last stroke.

Eye in the Sky

Abstract mixed-media work with layered color connecting to memories of 1980s NYC and The Saint, featuring a subtle blue eye form in the lower right.
Eye In Th eSky-12012026

“I am the maker of rules, dealing with fools.”
— Eye in the Sky, Alan Parsons Project

Curious how the story begins with the last stroke of the pen or brush. As I look at the image — the strokes, shadows, and hues — something of the ’80s returns: the Saint, that holy spot. Dancing there with people I loved — accepting and greeting the universe. Death, hope, sorrow, play, joy, and the celebration of life — and a song: Eye in the Sky.

The line says “dealing with fools”…Nah. What circulates in my head is “protector of fools. I can read your mind.”

Bill Hendricks (Shadowmason)

Song reference: Eye in the Sky — The Alan Parsons Project

Related post:
Surrealism, Automatic Drawing and the Spirit
— a reflection on creativity, memory, and the unseen.

June 1–Can you imagine that?

Long shadows stretch across a tiled floor from unseen figures and window light, creating a quiet, haunting image suggestive of memory, absence, and presence.
Photo: One of my shadow pieces from grad school. Still poignant — Pride, AIDS, the 80s, the 90s. We are but shadows that linger.

This is an older shadow photography piece that I submitted for GLBT Pride 2006. A little dark, but it is one of my favorites. This last week I’ve been updating my online material. Perhaps I should be creating more art… but it is important to at least document a bit along the way. The information contained here may not be particularly insightful; it is only a gay man journaling some of his feelings in a very open forum. I am appreciative of life and all that it brings, but gratitude slips away now and then. That is sad.

I cannot believe how fortunate we are. Our lifestyle is beyond most of the world’s inhabitants’ imagination. I know my remaining time is short. I spend most of my time documenting the small things — the things one passes by without noticing. That is why you see so many shadows photographed in my work. What is more ignored than they are? What one might think of as totally benign is not. That is the point. That is the point of my art.

Vision, smell, and the rest of our senses are a miracle. Ick! Miracle — I really hate that word because it implies a God. Whether or not they are God-given is moot. That is not the point of the work. My work is about the ordinary. The ability to experience… to reason… is beyond what might be expected in this universe, and we get to. We get to. Pretty amazing.