Hi, I am sharing this article I wrote about the condition of our Minneapolis walkways. I hope this helps spark conversations that continue and lead to real solutions for this citywide problem.
I am grateful that the Star Tribune published my commentary. As I grow older, this is becoming a greater concern. After 15 years in NYC, I am a walker. You see so much and learn a lot.
Autumn Layers — digital collage inspired by the color and rhythm of autumn.
Autumn Colors
This fall, on my walks, I’ve been amazed by the color — soaking it in, just appreciating the ability to gaze upon such beauty.
As beautiful as the colors of spring and summer are — spring with its bright yellow-greens and lupines in pinks and violets, and summer with its deeper greens and the bright yellows of marigolds or the reds of geraniums and pinks of coneflowers — not to mention the purples and blues of delphiniums — I love them too.
But autumn colors speak to me differently. There’s an excitement, a passion in them that touches my soul.
I often collect leaves and set them in my studio to inspire me — to try and equal the wonderful harmony of fall colors. This year, I decided to play as the Creator once did, and create an image — a playful collage of color, built from photographs taken along the way.
Lately, thank goodness, that is not a problem at the moment. I am working between two, probably multiple. This one promises to be fun. Trust me, I have had those moments. What to do?
Do something else if you are stuck. Yes, it distracts you and lets your brain refresh. The new else might help the old else find a solution.
One of our students at MCTC(Minneapolis College) was in a class my mentor and friend, Felix Ampah, taught. I was told the student sat in front of a canvas, and Felix went over and asked if something was wrong. The student blurted out, “I don’t want to ruin it.”
Felix Ahpah asked to have her brush. He took it and made a swash on the canvas, probably not big. Gave his wonderful smile that beamed and said, “Now it is ruined.” Then smiled, and they laughed, and he moved on.“
I am what I am And what I am needs no excuses I deal my own deck Sometimes the ace sometimes the deuces. ~ Jerry Herman, Composer (Wikipedia)
Bill Hendricks, 2021, in my office at Minneapolis College.
I’m a Minnesotan who has spent much of my life between Los Angeles and New York City. I consider myself a digital artist, but my work moves between tactile and virtual forms — printmaking, photography, drawing, and interactive installations.
My work has been shown in Minneapolis and New York and is held in several private collections throughout the United States. It has been exhibited in The Intimate Gallery at Gallery 148 in Minneapolis — a group show that explored the idea of collective consciousness — and in Postcards From the Edge, presented by Visual AIDS at the Robert Miller Gallery in New York City.
My digital work has also been archived by Rhizome ArtBase, where my interactive piece Interpreted, Obscured and Sought (2005) is featured. Rhizome’s collection focuses on pioneering internet-based art, and being included there connects my work to a larger history of experimental digital practice.
For over two decades, I taught Graphic Design, Web Design, and Fine Art at Minneapolis College (MCTC) and also taught at Minneapolis College of Art and Design (MCAD), where I earned my MFA. Teaching shaped how I think about art — as a dialogue between thought, feeling, and craft.
After retiring, I returned full circle to my studio practice, creating new work that blends ink drawing, photography, and 3D modeling. I continue to explore how the digital and the handmade can meet — how systems and structures can hold emotion and spirit.
My work also appears in Second Life, where I exhibit under the name Tap Quentin. In January, I was invited by the Second Life Endowment for the Arts to participate in a group show featuring digital prints and drawings. You can view some of my virtual work on the Second Life Marketplace at Ephemeral Traces.
Learn more about my current projects and reflections in the 2025 Mixed Media Gallery — where I continue to explore the quiet space between order and intuition, stillness and play.
