I termed the first party or opening a quiet opening the first hour of silence… Voice and music were turned off for the parcel; the only sounds were the chimes of Tibet chimes being rung as avatars walked through the hallways. During the second hour, DJ Sheperd played music that was both peaceful and still provided the installation’s visitors with a musical journey in the center dome. It attracted a small crowd. Quiet is not one of Second Life’s suits. I did enjoy sharing it with my visitors and friends.
The Invitation to the Labyrinthine, November 15, 2023
The Labyrinthine/Labyrinth second opening party was held on November 22, 2023
Exile on Exile—> to SLEA (4SW), the Labyrinth
This was a well-attended party and celebration DJ Tomtom, from Köln, Germany. Second Life is a global community. The music was great and everyone had fun.
I am planning a Zoom tour soon. I will be announcing soon.
Yesterday was my seventieth birthday, and I am beginning my third year of retirement, I have one bold request.
As a gift to me, could you subscribe to this blog?
ArtChangesLives(Dot)Com is owned by me and started in grad school almost two decades ago. Subscribing to my blog will help the blog’s rank on Google and other search engines. I hope it will become a place for people to share their thoughts while creating artwork … Meaning any of the arts.
I don’t know if I intend to show or sell my work commercially, but I am heading that way.
Thank you to the artists who agreed to let me link their sites to this site. Most of these individuals are friends.
Art has a vital power to promote understanding of one’s self and the world and provides a path for an artist to self-realize and connect with the known unknown.
It is a big ask, but could you subscribe to this site? I’d appreciate it.
BTW, my 70th birthday was fabulous, hearing from friends and family and spending it with family.
I am what I am And what I am needs no excuses I deal my own deck Sometimes the ace sometimes the deuces. ~ Jerry Herman, Composer (Wikipedia)
Bill Hendricks, 2021, in my office at Minneapolis College.
I’m a Minnesotan who has spent much of my life between Los Angeles and New York City. I consider myself a digital artist, but my work moves between tactile and virtual forms — printmaking, photography, drawing, and interactive installations.
My work has been shown in Minneapolis and New York and is held in several private collections throughout the United States. It has been exhibited in The Intimate Gallery at Gallery 148 in Minneapolis — a group show that explored the idea of collective consciousness — and in Postcards From the Edge, presented by Visual AIDS at the Robert Miller Gallery in New York City.
My digital work has also been archived by Rhizome ArtBase, where my interactive piece Interpreted, Obscured and Sought (2005) is featured. Rhizome’s collection focuses on pioneering internet-based art, and being included there connects my work to a larger history of experimental digital practice.
For over two decades, I taught Graphic Design, Web Design, and Fine Art at Minneapolis College (MCTC) and also taught at Minneapolis College of Art and Design (MCAD), where I earned my MFA. Teaching shaped how I think about art — as a dialogue between thought, feeling, and craft.
After retiring, I returned full circle to my studio practice, creating new work that blends ink drawing, photography, and 3D modeling. I continue to explore how the digital and the handmade can meet — how systems and structures can hold emotion and spirit.
My work also appears in Second Life, where I exhibit under the name Tap Quentin. In January, I was invited by the Second Life Endowment for the Arts to participate in a group show featuring digital prints and drawings. You can view some of my virtual work on the Second Life Marketplace at Ephemeral Traces.
Learn more about my current projects and reflections in the 2025 Mixed Media Gallery — where I continue to explore the quiet space between order and intuition, stillness and play.
