SLEA Labyrinth –> Procrastination

Why am I procrastinating?

“We don’t abandon our pursuits because we despair of ever perfecting them.” — Epictetus (the Daily Stoic)

SLEA Labyrinth as of 11-13-23, created by Bill Hendricks / Tap Quentin for Second Life Endowment for the Arts Grant.
Choices, Investigation, and Perfectionism

I am currently working on completing this project for my grant, but confronting self-doubt. The self-doubt I find is almost as hard to overcome as the desire for perfection and overthinking. 

Photographers may Disagree with Henri Cartier-Bresson

Photography is an immediate reaction, drawing is a meditation.”
– Henri Cartier-Bresson
(Drawing Quotes to Speak to the Artist in You)

Frame—Drawing in Process.
Frame, Drawing in Progress, Hendricks©2023

Yesterday was my seventieth birthday, and I am beginning my third year of retirement, I have one bold request.

As a gift to me, could you subscribe to this blog?

ArtChangesLives(Dot)Com is owned by me and started in grad school almost two decades ago. Subscribing to my blog will help the blog’s rank on Google and other search engines. I hope it will become a place for people to share their thoughts while creating artwork … Meaning any of the arts.
I don’t know if I intend to show or sell my work commercially, but I am heading that way.
Thank you to the artists who agreed to let me link their sites to this site. Most of these individuals are friends.
Art has a vital power to promote understanding of one’s self and the world and provides a path for an artist to self-realize and connect with the known unknown.
It is a big ask, but could you subscribe to this site? I’d appreciate it.
BTW, my 70th birthday was fabulous, hearing from friends and family and spending it with family.

been-a-minute

Been a Minute, August 11, 2023

Man in the Window, ink, drawing by Bill Hendricks, 2023
Man in the Window, Hendricks©2023

If you can dream – and not make dreams your master;
If you can think – and not make thoughts your aim;

~ “If” – Rudyard Kipling

I can tell you 101 things that have kept me away from this blog, but with the help of people and, most recently, the Mighty Mo helped with a few more adjustments, I will begin to post more frequently. 

I have been organizing the images I can post for the last few days. I have been drawing, exploring various tactile media, and focusing on 3D software for the past two years. I am at the point where I can start showing my work. So my last push is to get the blog up and running again.

Bear with me; you will see more of my work and other posts soon.

Bill : )

Just an Image and a Quote

Reality is the leading cause of stress among those in touch with it.

Lily Tomlin, Brainy Quotes
Confusion, a drawing on paper
Confusion, 5″ x 5″, mixed media, Hendricks © 2020

Information about Bill Hendricks (Shadowmason)

About Me… William John Hendricks

I am what I amAnd what I am needs no excusesI deal my own deckSometimes the ace sometimes the deuces. 
~ Jerry Herman, Composer (Wikipedia)

Bill Hendricks, (Shadowmason)
Bill Hendricks, 2021, in my office at Minneapolis College.

I’m a Minnesotan who has spent much of my life between Los Angeles and New York City. I consider myself a digital artist, but my work moves between tactile and virtual forms — printmaking, photography, drawing, and interactive installations.

My work has been shown in Minneapolis and New York and is held in several private collections throughout the United States. It has been exhibited in The Intimate Gallery at Gallery 148 in Minneapolis — a group show that explored the idea of collective consciousness — and in Postcards From the Edge, presented by Visual AIDSAttachment.tiff at the Robert Miller Gallery in New York City.

My digital work has also been archived by Rhizome ArtBaseAttachment.tiff, where my interactive piece Interpreted, Obscured and Sought (2005) is featured. Rhizome’s collection focuses on pioneering internet-based art, and being included there connects my work to a larger history of experimental digital practice.

For over two decades, I taught Graphic Design, Web Design, and Fine Art at Minneapolis College (MCTC) and also taught at Minneapolis College of Art and Design (MCAD), where I earned my MFA. Teaching shaped how I think about art — as a dialogue between thought, feeling, and craft.

After retiring, I returned full circle to my studio practice, creating new work that blends ink drawing, photography, and 3D modeling. I continue to explore how the digital and the handmade can meet — how systems and structures can hold emotion and spirit.

My work also appears in Second Life, where I exhibit under the name Tap Quentin. In January, I was invited by the Second Life Endowment for the Arts to participate in a group show featuring digital prints and drawings. You can view some of my virtual work on the Second Life Marketplace at Ephemeral TracesAttachment.tiff.

Learn more about my current projects and reflections in the 2025 Mixed Media GalleryAttachment.tiff — where I continue to explore the quiet space between order and intuition, stillness and play.