There are things I can imagine and I can draw. There are things I can imagine but I cannot draw. But, could I draw something that I cannot imagine?
~ István Orosz Graphic designer, animated film director, author.
A few days ago, I started on a new project—3D Metaverse Installation.
Part of my October show at Second Life Endowment for the Arts.
The whole difference between construction and creation is exactly this: that a thing constructed can only be loved after it is constructed; but a thing created is loved before it exists.
G.K. Chesterton’s “Are You Creating or Constructing?”
This article came to me through a friend on LinkedIn that I respect very much, Chris Zuege. The article is by Robert Rose. Chris posts on LinkedIn often, and I always find his posts enlightening. This resonated with me because the work I do is very off the cuff. I often wonder as I am working and when it is done. Am I the tool or the creator? For me, this quote and article gave me an answer. I am the tool, and what I create was loved before it existed.
I know it has been quite a while since I posted to this blog. The truth is that I was off learning. I studied color… read philosophy… learned more about 3D digital art. I will be posting more regularly again.
Today’s post was important to me. First, to wish everyone a great holiday and an even more fabulous new year and then share my last drawing of 2021. Its title is Tumult. It fits for 2021.
The drawing wants to draw what is invisible to the naked eye.It’s very difficult.The effort to write is always beyond my strength. What you see here, these lines, these strokes, are rungs on the ladder of writing, the steps which I have cut with my fingernails in my own wall, in order to hoist myself up above and beyond myself.
Cixous, Hélène, and Catherine A. F. MacGillivray. “Without End No State of Drawingness No, Rather: The Executioner\’s Taking Off.” New Literary History, vol. 24, no. 1, 1993, pp. 91–103. JSTOR, www.jstor.org/stable/469272
This drawing lingers for me. Not wanting to call itself done. Yet, even when I call it finished, it calls me back. A friend asked me what I was doing a few times when he called from New York, and I told him, “I am working on a drawing, and it won’t end.” He asked me, “How do you know when it is done… Don’t you stop?”
Well, no. You don’t just stop. Some might say I should. I am moving on, but it sits on my desk. Done for the moment.
What I saw before me was the critic-in-chief The New York Times saying: In looking at a painting today, “to lack, a persuasive theory is to lack something crucial.” I read it again. It didn’t say “something helpful” or “enriching” or even “extremely valuable.” No, the word was “crucial.”
Tom Wolfe, The Painted Word, 1975
https://www.billemory.com/NOTES/wolfe.html
The quote above was written in response to an article in the New York Times, on Sunday, April 28, 1974, by art critic Hilton Kramer.
This blog is a journal of sorts, featuring my artwork and my ideas about art as I understand it. After 67 years of living, I now get to start practicing what I believe I am meant to do. That is to do art.
As I work, read, and reacquaint myself with myself through my art and studies, I seek a theory of me. It is becoming more and more apparent that I am emerging both intellectually and spiritually through my art.
I have never been keen on the significant art pubs or the art critics. Only because, through big words and lengthy explanation of what they see or how they interpret, the work often shuts out, divides, or disqualifies the everyday joe or mary from viewing, collecting, and enjoying art.
I guess part of objecting to the art authoritarians is that I never felt like I fit in being a blue-collar Catholic boy that is gay, not queer, dyslectic, alcoholic, and Quaker. So I often had to forge my own beliefs and codes of conduct.
That being said, I do believe there has to be some theory, some idea, path, or journey the casual viewer might need to understand my work or any artwork better.
Although, Wolfe is critical of Kramers’s reference to the “crucial” need for a perspective theory. Wolfe doesn’t say no knowledge is necessary. Thus every artist usually provides an artist statement for the viewer and gallery visitors.
I guess Artchangeslives(dot)com is where I work to find the theory of Bill.
Tell your own story, and you will be interesting.
Louise Bourgeois,
400 Art Quotes: That will inspire the artist in you
