“Every work of art is a culturescape of you, your memories, the moments you spent working, your hopes, energies, and neuroses, the times you live in, and your ambitions. Of the things that are engaging, mysterious, meaningful, resistant over time.”
― Jerry Saltz, How to Be an Artist
Finally, I got a gallery set up. I have to explore more because I am still determining if the plug-in NextGen Gallery is worth it.
I am reading Jerry Saltz’s book—Art is Life. I like it. He is very entertaining. I am unsure if I like him, but he speaks his mind. He seems to have compassion too. So I guess I do. But he would be a challenge, I think.
Loved his story of himself laying down the idea of being an artist. He speaks of creating art… akin to meditation and communing with the unknown. His question about … Is There Great Art on Instagram? I appreciated that he seemed to honor all the artists working… discovering… exploring… and most of all, creating art as an unknown but still creating.
Then this article/chapter—Iconoclasm Now: Charlie Hebdo and the Lethal Power of Art. That chapter was a show-stopper for me; as a Quaker and even as a young man, I believed that what I created on paper, sculpted, and images I made, I breathed life into the work. So whether it is seen or unseen, it has life cause it was/is a part of me. He didn’t go there exactly, but when he spoke about the image breakers that believed the images that “the thing itself and, as made not by God, they contain demonic spirits.” So I identified with that some people believe similarly about an image as I do—the demonic bit … not so much. But as a Quaker, there is the “Light of God” within the work.
The short of it, I am learning a lot, and Mr. Saltz’s book is good. It is approachable and entertaining.
