“Light is not so much something that reveals, as it is itself the revelation.”—James Turrell, (James Turrell, Art21, PBS)
The worst Labyrinth is not that intricate form that can entrap us forever, but a single and precise straight line.~ Jorge Luis Borges (Author, The Library of Babel)
I termed the first party or opening a quiet opening the first hour of silence… Voice and music were turned off for the parcel; the only sounds were the chimes of Tibet chimes being rung as avatars walked through the hallways. During the second hour, DJ Sheperd played music that was both peaceful and still provided the installation’s visitors with a musical journey in the center dome. It attracted a small crowd. Quiet is not one of Second Life’s suits. I did enjoy sharing it with my visitors and friends.
This was a well-attended party and celebration DJ Tomtom, from Köln, Germany. Second Life is a global community. The music was great and everyone had fun.
I am planning a Zoom tour soon. I will be announcing soon.
In seed time learn, in harvest teach, in winter enjoy.
~ William Blake (Art Quotes)
I keep bouncing between enjoying and learning and sometimes teaching, but at the moment, learning is taking precedence. Over the past two years, I have worked in Blender, creating models for Second Life. It is satisfying, but I don’t know how or why it informs my work.
Drawing currently is taking two forms—first, the multi-media small works.
Most drawings are about 5″ x 5″, some a bit larger. I also find 5″ x 7″ a good size to work with. They primarily are drawings using ink and colored pencils. I am becoming aware that these inked drawings are really paintings. The two elements I am paying attention to are texture and color. The substrate is another element I am experimenting with as well. I worked with found paper for a long while, which expanded my knowledge of my media’s response to the surface.
Digitally I am working with Procreate. This is a process and program I have spent time learning. The process starts with a doodle on paper. I am then photographing it. Next, I import the drawing directly into Procreate and then traced it manually. Found that method very unsatisfying. The surface of the iPad is so slick, and slowing down to trace accurately the lines looked slow. So finally, I fell on a method that seemed to do the job. First, I photograph. Then import them into Affinity Photo 2, create a file with an alpha, and export them as a png. Then bring the drawing into Procreate. It seems to work better for me.
The reason I like this method is that it allows me to concentrate on color. I can apply color and experience color combinations quickly. I knew that color exists and reacts with its environment or relative to the surroundings and background. But working and being able to apply color quickly and easily replacing color with another underscores for me how dynamic color is.
As I work, I am finding a spiritual connection with the known-unknown. I am sure that sounds strange to some. It is a meditative practice, not intentional, but it seems more of a by-product that I welcome.
“Every work of art is a culturescape of you, your memories, the moments you spent working, your hopes, energies, and neuroses, the times you live in, and your ambitions. Of the things that are engaging, mysterious, meaningful, resistant over time.”
― Jerry Saltz, How to Be an Artist
Finally, I got a gallery set up. I have to explore more because I am still determining if the plug-in NextGen Gallery is worth it.
I am reading Jerry Saltz’s book—Art is Life. I like it. He is very entertaining. I am unsure if I like him, but he speaks his mind. He seems to have compassion too. So I guess I do. But he would be a challenge, I think.
Loved his story of himself laying down the idea of being an artist. He speaks of creating art… akin to meditation and communing with the unknown. His question about … Is There Great Art on Instagram? I appreciated that he seemed to honor all the artists working… discovering… exploring… and most of all, creating art as an unknown but still creating.
Then this article/chapter—Iconoclasm Now: Charlie Hebdo and the Lethal Power of Art. That chapter was a show-stopper for me; as a Quaker and even as a young man, I believed that what I created on paper, sculpted, and images I made, I breathed life into the work. So whether it is seen or unseen, it has life cause it was/is a part of me. He didn’t go there exactly, but when he spoke about the image breakers that believed the images that “the thing itself and, as made not by God, they contain demonic spirits.” So I identified with that some people believe similarly about an image as I do—the demonic bit … not so much. But as a Quaker, there is the “Light of God” within the work.
The short of it, I am learning a lot, and Mr. Saltz’s book is good. It is approachable and entertaining.
I had the pleasure to judge the Christian Art Show at Cross View Lutheran Church along with Marko Fields. It was indeed a pleasure to see so many works.
I am grateful to the congregation of Cross View Lutheran Church for recognizing the importance art plays in our lives by supporting artists and administering the Christian Art Festival.
I had the pleasure to judge the Christian Art Show at Cross View Lutheran Church along with Marko Fields. It was indeed a pleasure to see so many works.
I am grateful to the congregation of Cross View Lutheran Church for recognizing the importance that art plays in our lives by supporting artist and administrating the Christian Art Festival.
Art is meant to be shared. It is a poetic form of communication that helps us understand and reflect on our world and its cultures and our relationship within its context.
What struck me most about the submissions that Cross View Lutheran Church received was the honesty that came through in the work and the sincerity in the process of art making. I see it, as a Quaker, as another approach to prayer. Where listening to that that stirs within is as important as vocalizing prayer.
The opening is Saturday, April 29, 2006
6 – 8 pm.