Marsha P. Johnson, New York, and Old Threads

Expressive watercolor and ink painting with luminous circular and organic forms, honoring the resilience and spirit of Marsha P. Johnson.
Marsha P, watercolor and ink on paper, 2025

Accepted: The Ordinary — Collective Z, New York

I’m happy to share that my piece “Marsha P. (Johnson)” has been accepted into The Ordinary, a Pride Month group exhibition at Collective Z in New York City.

The exhibition opens June 4, 2026 and runs through June 30. Michael and I will leave this Thursday to attend the opening on June 4 and return to the Twin Cities on June 7.

What’s interesting to me is that this isn’t really the beginning of something entirely new. While walking today I found myself remembering another LGBTQ exhibition in New York years ago that accepted one of my postcard works — a shadow image of Frank Stark and me against a wall.

Funny how these threads continue across time, even when we forget them for a while.

And if you’ve followed this blog for a while, you’ve probably seen Marsha appear here before.

“Marsha P. (Johnson)” is a mixed media work on paper inspired by Marsha’s presence, courage, and visibility. Having the work included in a Pride exhibition in New York feels especially meaningful given her history and connection to the city.

While working on the piece, there were moments where it felt as though Marsha herself appeared to greet me through the process — much the way insights or leadings sometimes emerge through meditation.

Image description:
Mixed media artwork on paper honoring Marsha P. Johnson. The piece combines layered textures, expressive marks, and symbolic imagery to evoke presence, resilience, vulnerability, and visibility within LGBTQ history and community.


Author: Bill Hendricks -- Shadowmason

I’m a Minneapolis-based artist working in watercolor, gouache, oil, drawing, and mixed media. After teaching art and design for many years, I returned to making art fully. These days, I spend my time drawing, painting, experimenting, and paying attention to what shows up. I often work small. My work moves between observation, memory, and imagination. Some pieces lean surreal. Some stay close to what is seen. What interests me is what begins to emerge when I stay with the work long enough. On my blog, you’ll find both my artwork and my reflections. I’ve come to see they are connected. What I learn in the studio often changes how I see my life, my relationships, and my community. In that way, art has become more than making objects — it has become a way of understanding and being in the world.

Hope you leave your thoughts.

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