Thank you, the Whitney & Ming Smith

With art it’s cerebral, but there has to be a time to let go. In any craft, you learn the basics. And then you just go. An opera singer or jazz musician run scales all day and when it comes to performing they just sing or play. So photography was like that, you learn about lighting. You have the rudiments of the craft within you and then you just let it flow.

Ming Smith, member of the Kamoinge Workshop by way of an email from the Whitney Museum, NYC

Perfect timing! Just received an email from the Whitney, as I was examing the importance of intentionality. I believe it can be divided into at least two separate and distinct areas. Craft and knowledge of media and the artist\’s intention, whether it is to express an idea, story, subconscious muse, emotional outburst, an inner feeling.

My intention as an artist is evident. As clear as it was in grad school, a study of reality and perception… in short consciousness. Craft, on the other hand, I don’t know if an artist ever ceases to study the craft and technical aspects of producing art. I told a friend this morning that my retirement feels as if I have returned to college.

This semester has been a mixture of theory, dabbling and learning Blender, drawing, exploring the media I wish to use at this moment, learning more about color, and studying anatomy as taught by Loomis. I am seriously concerned about my grades this semester. LOL.

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Left: reverse side of right side, Right: work in progress, 5\” x 5\”, Hendricks©2020

Thank you, the Whitney & Ming Smith

What for? How come?

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Color Study, working towards intent – Hendricks © 2020 

Concerned with the practical intent, I mean by choosing a width of a pen, or the softness of a pencil, or the shade and color of a pencil and how it reacts to a substrate. I set about doing a series of studies using the media that I am fond of at this moment. I stumbled into some articles discussing the intent of the artist. Yes, the intent of the artist is important, but… is it important to the audience. Does the work have to be explained by the artist? 

I know why I am drawing and studying the various software that I am, but I am on a path… and as a great hike, I don’t know the adventures, disappointments, wonderful sights, and joys  I will enjoy along the way. I know that in some way, it is a spiritual quest, one that will give me insights both in the conscious and unconscious realms.  

Whether or not it is important, I have to reveal; I believe in something, maybe you can call it God, that is up to you. That belief and my current self combines and presents itself in my artwork. If you have followed my work, you know that I have studied and learned to question what reality is, and I know that we as humans only experience a minute fraction of that reality actually is. For the moment, I am focused on Creation, Chaos, and Order and letting that present itself in my work, as feeble as my efforts might be to let that occur, I hope you both enjoy and allow yourself to explore what I see. 

The Retirement Adventure … continues

It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea-lions, lions, human beings and daffodils and murder and art and love and confusion and death and madness and biscuits.

Stephen Fry
Mythos: The Greek Myths Retold

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Chaos Machine, 5″x5″, mixed media, Hendricks © 2020, all rights reserved

At least that is how it feels at times. I am whittling down options and getting to know media. I am still drawn to Blender, Procreate, Affinity Photo, Second Life, drawing with Micron Pens, graphite, and Color Ease erasable pencils. 

I have been reading Mythos, by Stephen Fry. I wanted to get to know Greek Mythology better. Stephen Fry does an excellent job, and it is written with humor I enjoy. The piece included in this post is called the Chaos Machine.

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