What’s Bill Hendricks Been Doing?

My Sketchbooks, Hard Drives, and Blog are my Diaries.

“Painting is just another way of keeping a diary”
~ Pablo Picasso

Six weeks is a long time away from my blog, and hope other artists will want to post on ArtChangeslives(Dot)Com to share their art and experiences of how art has changed their lives.

I put together a collage of images of my work. After working with Blender for a couple of years, uploading some of my Blender 3D objects into Second Life, and earning a couple of grants, I see a path of combining some of my tactile work with my 3D work to produce sort of a hybrid work works for the Metaverse and conventional viewing. Mainly, it involves the viewer,  akin to working in a more traditional gallery or exhibition hall. 

In grad school (MCAD), I produced several installations, and I was attracted to the participatory nature and how visitors could interact with them. Kara Walker and other artists engaged the visitor by incorporating the viewers’ shadow into the work, creating a relationship to the work that mere viewing does not necessarily achieve.

So, in the past few weeks, I have not created work that has been completed, which I normally post. I was also concerned about posting work that was not completed. I found that it kind of destroys the Ta-da moment. Hmm… I wonder how important that might be.

I am on my way to completing a project in Blender/Second Life. It is a simply built house that will be used in Second Life as a skybox. A skybox is a floating home on a parcel of digital space. The house is pictured in the image below, and you can see the documentation and the progression of the build here: Learning Blender Better. In short, I chose to produce a simple building to learn and become more proficient. 

I am finding that blogging is important to me ArtChangesLives(Dot)Com is over and is approaching its 20th year. I struggle with openly revealing myself here, but as I said earlier, my sketchbooks, hard drives, and blog are my diaries. It seems Picasso had his own diaries-one being his paintings. 

The image contains a smattering of artistic investigations. It shows a collection of recent work, including ink drawings and digital images created in Affinity Photo and Designer, watercolor, and Blender.
An Exploration of Artistic Techniques and Combinations of Media.

Beginning Again

The person who removes a mountain begins by carrying away small stones.
— Chinese Proverb

Creativity at Work
Title: October 11, 2022, 7:57 pm, Digitally Enhanced Photo, Hendricks © 2022
October 11, 2022, 7:57 pm, Digitally Enhanced Photo, Hendricks ©2022

Yes, I am beginning again. Roughly a year and a half ago, my blog of 12 years was shut down by Blue Host because it was infected with malware. I mourned. It had over two thousand images taken or created by me. Hundreds of quotes I found meaningful and helped center my meditation.

After talking to former colleagues at Minneapolis College (MCTC), I found a new host and came to WordPress. com. They offered security to me and any readers coming to ArtChangesLives(Dot)Com at a reasonable price.

In the past posts that were saved and brought back, you will find lines of code that refer to images that once resided there. I decided to keep them there for references for myself. I hope you don’t see this confusing.

My pseudonym for Second Life activities is Tap Quentin. I named my Avatar after my first boyhood crush, Bobby Quinn. I just completed uploading many of my works to Second Life’s Marketplace. I invite you to view my works at my online store, Ephemeral Traces.

Information about Bill Hendricks (Shadowmason)

About Me… William John Hendricks

I am what I amAnd what I am needs no excusesI deal my own deckSometimes the ace sometimes the deuces. 
~ Jerry Herman, Composer (Wikipedia)

Bill Hendricks, (Shadowmason)
Bill Hendricks, 2021, in my office at Minneapolis College.

I am a Minnesotan who has lived half my life in Los Angeles and New York City. I consider myself a digital artist. However, my work includes tactile work, such as printmaking, photography, drawing, and interactive installations. I have a print in the permanent collection of the Frederick R. Weisman Art Museum, Minneapolis, and several private collections throughout the United States. In addition, my work was included in a group show titled, The Intimate Gallery, which questioned and explored the existence of collective consciousness in Minneapolis at Gallery 148. 

My work was included in the New York City group show, Visual AIDS, Postcards From the Edge in New York City at The Robert Miller Gallery. 

I taught Graphic Design, Web Design, and fine art at Minneapolis College (MCTC) for 22 years. I also taught at Minneapolis College of Art and Design for a few years, where I earned my MFA.

After retirement, I am again pursuing a career as a fine artist. For the last three years, I have built a body of work that includes ink drawings, photography, and 3D modeling.

Currently, my work appears in Second Life in some galleries. Second Life Endowment for the Arts invited me to appear in a group show in January, where I exhibited digital prints and drawings. My work there appears using my pseudonym, Tap Quentin. You may view my work shown on Second Life Marketplace at Ephemeral Traces.

Moving Forward

“The Shadow as a Metaphor for Power” is in and I am officially done with my degree. You can get a copy of the thesis on my Portfolio page and follow the links.

I am not going to complain about how busy I’ve been but I have. I’ve accomplished a lot. The studio is in good shape too. I’ve applied for a grant to study the post modern critique. In short, it will be looking at overcoming built-in prejudges between the generations. I will post more about the topic soon. Frenchy Lunning was a big help as I worked to narrow focus.