Category: Minneapolis College of Art Design

An Echo, a Shadow, Nothingness…Whoa!

In order to experience a poem, we must understand it; in order to understand it; we must hear it, see it, contemplate it—convert it into an echo, a shadow, nothingness. Comprehension is a spiritual exercise.

Octavio Paz,
Alternating Current, p. 49

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Floating through Space and Time,  Mixed-media,  Hendricks@2023

I don’t think I am creating anything as profound as Paz describes, but as I said many times in this blog—I am on a path, which is not totally visible to me. I get glimpses, but never too sure what I see.
I do want to say that just because I post works of art, I do not think they are grand, that the technique is refined, or the lines sure and sharp. I know they are not. However, as I do and study my ideas, my voice and path will clarify.
There is one thing I want readers and friends to know, and that is that I believe in a power greater than ourselves, and there is a piece, a bit, of that power, that Light within each of us. I don’t know if I am a theist, non-theist, pantheist, or panentheist. Whatever I am, I seek to reach, connect, and engage with that Light that exists within me… and you. I am saying this partly because I have avoided saying it in the public eye of art critics and peers.
OH MY GOD! I just came out again.  😆

Information about Bill Hendricks (Shadowmason)

About Me… William John Hendricks

I am what I amAnd what I am needs no excusesI deal my own deckSometimes the ace sometimes the deuces. 
~ Jerry Herman, Composer (Wikipedia)

Bill Hendricks, 2021, in my office at Minneapolis College.

I am a Minnesotan who has lived half my life in Los Angeles and New York City. I consider myself a digital artist. However, my work includes tactile work, such as printmaking, photography, drawing, and interactive installations. I have a print in the permanent collection of the Frederick R. Weisman Art Museum, Minneapolis, and several private collections throughout the United States. In addition, my work was included in a group show titled, The Intimate Gallery, which questioned and explored the existence of collective consciousness in Minneapolis at Gallery 148. 

My work was included in the New York City group show, Visual AIDS, Postcards From the Edge in New York City at The Robert Miller Gallery. 

I taught Graphic Design, Web Design, and fine art at Minneapolis College (MCTC) for 22 years. I also taught at Minneapolis College of Art and Design for a few years, where I earned my MFA.

After retirement, I am again pursuing a career as a fine artist. For the last three years, I have built a body of work that includes ink drawings, photography, and 3D modeling.

Currently, my work appears in Second Life in some galleries. Second Life Endowment for the Arts invited me to appear in a group show in January, where I exhibited digital prints and drawings. My work there appears using my pseudonym, Tap Quentin. You may view my work shown on Second Life Marketplace at Ephemeral Traces.

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